https://www.californiaartreview.com/journal daily 0.75 2022-11-14 https://www.californiaartreview.com/journal/saving-corita-studio-corita-kent-pop-art-nun monthly 0.5 2020-12-16 https://images.squarespace-cdn.com/content/v1/5f83940f11fa8c5379dbbe38/1603600381408-Y589UJP2POYL28TS3UMT/Corita+Kent+Pop+Art+Nun Journal - Saving the Legacy of Los Angeles’ Pop-Art Nun Corita Kent Corita Kent. Courtesy of Corita Art Center. https://images.squarespace-cdn.com/content/v1/5f83940f11fa8c5379dbbe38/1603601692516-XHW8O7177319UQ2YIXWQ/Corita+Kent+Pop+Artist Journal - Saving the Legacy of Los Angeles’ Pop-Art Nun Corita Kent Corita Kent. Courtesy of Corita Art Center. https://images.squarespace-cdn.com/content/v1/5f83940f11fa8c5379dbbe38/1603602976346-N3WEITCF2IXHX4FW1JJZ/Corita+Kent%2C+american+sampler%2C+1969%2C+serigraph%2C+23+x+12+in.%2C+photograph+by+Arthur+Evans%2C+Corita+Art+Center%2C+Immaculate+Heart+Community. Journal - Saving the Legacy of Los Angeles’ Pop-Art Nun Corita Kent Corita Kent, american sampler, 1969, serigraph, 23 x 12 in., photograph by Arthur Evans, Corita Art Center, Immaculate Heart Community. https://images.squarespace-cdn.com/content/v1/5f83940f11fa8c5379dbbe38/1603601186871-UDJD0R1ZKFRPUXKF2URL/Corita-Kent-Racism-Pop-Art.png Journal - Saving the Legacy of Los Angeles’ Pop-Art Nun Corita Kent Corita Kent, the cry that will be heard, 1969, serigraph, 23 x 12 in., photograph by Arthur Evans, Corita Art Center, Immaculate Heart Community. https://www.californiaartreview.com/journal/hollywood-arensberg-getty-avant-garde-collecting-midcentury-la-review monthly 0.5 2021-01-10 https://images.squarespace-cdn.com/content/v1/5f83940f11fa8c5379dbbe38/1603135917735-7AQ1W3PTE7R5T2R64WHR/Hollywood-arensberg-dining-room-floorplan-getty.jpg Journal - Book Review: Hollywood Arensberg: Avant-Garde Collecting in Midcentury L.A. Map of 7065 Hillside Avenue, noting location of the North Archway. https://images.squarespace-cdn.com/content/v1/5f83940f11fa8c5379dbbe38/1602978434352-Z2D1L0YKV0OMW6JWGPD1/Walter+and+Louise+Arensberg+at+their+Hollywood+home+with+Marcel+Duchamp%2C+Photograph+by+Beatrice+Wood.jpeg Journal - Book Review: Hollywood Arensberg: Avant-Garde Collecting in Midcentury L.A. Beatrice Wood. Louise Arensberg, Walter Arensberg, and Marcel Duchamp in the garden at 7065 Hillside Avenue, Los Angeles, 17 August 1936. Philadelphia Museum of Art, Library and Archives, Alexina and Marcel Duchamp Papers (PMA-MDP), box 30, folder 17. Gift of Jacqueline, Paul, and Peter Matisse in memory of their mother, Alexina Duchamp. Reproduced courtesy of Beatrice Wood Center for the Arts / Happy Valley Foundation. https://images.squarespace-cdn.com/content/v1/5f83940f11fa8c5379dbbe38/1603137444165-SCDNXA8Q6HQC5J1F8MR8/Floyd-Faxon-Hollywood-Arensberg-home-duchamp-brancusi.jpeg Journal - Book Review: Hollywood Arensberg: Avant-Garde Collecting in Midcentury L.A. Photograph by Floyd Faxon. Living Room, with Views into the Dining Room through the North and South Archways, ca. January 1951. Philadelphia Museum of Art, Library and Archives, Arensberg Archives (PMA-WLA), box 54. Constantin Brancusi, Prodigal Son, 1914-15, and Three Penguins, 1911-12: © Succession Brancusi – All rights reserved (ARS) 2020. Georges Braque, Still Life (Violin), 1913, and Still Life (with the Word VIN), 1912-13: © 2020 Artists Rights Society (ARS), New York / ADAGP, Paris. Marcel Duchamp, The King and Queen Surrounded by Swift Nudes, 1912, and Yvonne and Magdeleine Torn in Tatters, 1911: © Association Marcel Duchamp / ADAGP, Paris / Artists Rights Society (ARS), New York 2020. Paul Klee, Village Carnival, 1926: © 2020 Artists Rights Society (ARS), New York. Pablo Picasso, Old Woman (Woman with Gloves), 1901, and Head, 1906: © 2020 Estate of Pablo Picasso / Artists Rights Society (ARS), New York. https://images.squarespace-cdn.com/content/v1/5f83940f11fa8c5379dbbe38/1602981083746-BALQNU48AQO86VT2EA8E/Hollywood-arensberg-brancusi-foyer.jpeg Journal - Book Review: Hollywood Arensberg: Avant-Garde Collecting in Midcentury L.A. Photography by Floyd Faxon. Foyer, after September 25 but before October 12, 1948. Philadelphia Museum of Art, Library and Archives, Arensberg Archives (PMA-WLA), box 54. Constantin Brancusi, Arch, ca. 1914-16, and Princess X, 1915-16: © Succession Brancusi – All rights reserved (ARS) 2020. https://www.californiaartreview.com/journal/seven-translations-for-twilight-an-exhibition-of-the-works-of-jean-nagai-and-lilah-rose-at-part-2-gallery monthly 0.5 2020-11-03 https://images.squarespace-cdn.com/content/v1/5f83940f11fa8c5379dbbe38/1604436987026-TPP6Y159LHWBQ5G4WV3P/lilah_rose_mysanrafaelswell.jpg Journal - Exploring Contrast in ‘Seven Translations for Twilight,’ an exhibition of the works of Jean Nagai and Lilah Rose at Part 2 Gallery Lilah Rose “My San Rafael Swell,” Foam, satin, acyrlic, muslin, fabric dye, 74 x 70 x 5 inches. 2020 https://images.squarespace-cdn.com/content/v1/5f83940f11fa8c5379dbbe38/1604436420479-AYDJVALEYK6ARUR49X49/jean_nagai_a6m.jpg Journal - Exploring Contrast in ‘Seven Translations for Twilight,’ an exhibition of the works of Jean Nagai and Lilah Rose at Part 2 Gallery Jean Nagai, “A6M,” Acrylic, pumice on canvas, 60 x 48 inches 2020 https://images.squarespace-cdn.com/content/v1/5f83940f11fa8c5379dbbe38/1604436188415-17E4WVQ2QAD2QQKCY3JY/jeannagai_a6m_4-1.jpg Journal - Exploring Contrast in ‘Seven Translations for Twilight,’ an exhibition of the works of Jean Nagai and Lilah Rose at Part 2 Gallery Jean Nagai, Detail of “A6M,” Acrylic, pumice on canvas, 60 x 48 inches 2020 https://images.squarespace-cdn.com/content/v1/5f83940f11fa8c5379dbbe38/1604435306825-3K9U2VY163GKK2HKJJZC/Jean-nagai-lilah-rose-part-2-gallery-seven-translations-for-twilight-installation-1.jpg Journal - Exploring Contrast in ‘Seven Translations for Twilight,’ an exhibition of the works of Jean Nagai and Lilah Rose at Part 2 Gallery Installation view of Seven Translations for Twilight at Part 2 Gallery in Oakland, California https://www.californiaartreview.com/journal/fact-or-fiction-storytelling-in-the-biennial-exhibition-made-in-la-2020-a-versionnbsp monthly 0.5 2020-12-21 https://images.squarespace-cdn.com/content/v1/5f83940f11fa8c5379dbbe38/1605318199350-UN0G5ICYP5KBBX6YOW46/Nicola+L+.at+the+Huntington+Museum+jpg Journal - Fact or Fiction: Storytelling in the ‘Made in L.A. 2020: a version’ Biennial Exhibition Made in L.A. 2020: a version. Installation view at The Huntington Library, Art Museum, and Botanical Gardens, San Marino. Photo: Joshua White / JWPictures.com. https://images.squarespace-cdn.com/content/v1/5f83940f11fa8c5379dbbe38/1605319138017-D29FOGUVP49R07WSSAXF/Umar-rashid-made-in-la.jpg Journal - Fact or Fiction: Storytelling in the ‘Made in L.A. 2020: a version’ Biennial Exhibition Paintings by Umar Rashid and sculpture by Ann Green Kelly. Made in L.A. 2020: a version. Installation view at Hammer Museum, Los Angeles. Photo: Joshua White / JWPictures.com. https://images.squarespace-cdn.com/content/v1/5f83940f11fa8c5379dbbe38/1605319254104-OUZHATDWB8Y0QQ8FT5K5/Buck+Ellison+Cufflinks+Huntington+Library+and+Museum Journal - Fact or Fiction: Storytelling in the ‘Made in L.A. 2020: a version’ Biennial Exhibition Buck Ellison’s ‘Untitled (cufflinks)’ alongside John Singleton Copley’s ‘The Western Brothers.’ Made in L.A. 2020: a version. Installation view at The Huntington Library, Art Museum, and Botanical Gardens, San Marino. Photo: Joshua White / JWPictures.com. https://images.squarespace-cdn.com/content/v1/5f83940f11fa8c5379dbbe38/1605319603593-9R9DE4VPE3HBDFDVR73O/Kandis+Williams+at+Huntington+Gardens Journal - Fact or Fiction: Storytelling in the ‘Made in L.A. 2020: a version’ Biennial Exhibition Photo collage by Kandis Williams. Made in L.A. 2020: a version. Installation view at The Huntington Library, Art Museum, and Botanical Gardens, San Marino. Photo: Joshua White / JWPictures.com. https://images.squarespace-cdn.com/content/v1/5f83940f11fa8c5379dbbe38/1605385450840-CSMUUFRZOWGLBP4J22PX/Jill+Mulleady+and+Patrick+Jackson+at+Huntington+Made+in+LA+biennial+exhibit Journal - Fact or Fiction: Storytelling in the ‘Made in L.A. 2020: a version’ Biennial Exhibition Paintings by Jill Mulleady and Installation by Patrick Jackson. Made in L.A. 2020: a version. Installation view at The Huntington Library, Art Museum, and Botanical Gardens, San Marino. Photo: Joshua White / JWPictures.com. https://images.squarespace-cdn.com/content/v1/5f83940f11fa8c5379dbbe38/1605318772838-36S4PB9PXZ8JG3986V9O/BLKNWS-HanksMiniMarket-2020-10-09_005.jpg Journal - Fact or Fiction: Storytelling in the ‘Made in L.A. 2020: a version’ Biennial Exhibition Kahlil Joseph, BLKNWS®, 2018–ongoing. Two-channel fugitive newscast. Courtesy of the artist. Installation view, Made in L.A. 2020: a version, Hank’s Mini Market, Los Angeles. Photo: Jeff McLane. https://images.squarespace-cdn.com/content/v1/5f83940f11fa8c5379dbbe38/1605318986754-3IKZ7T23BVN87P9PITNG/Umar-Rashid-Huntington-Made-in-LA.jpg Journal - Fact or Fiction: Storytelling in the ‘Made in L.A. 2020: a version’ Biennial Exhibition Paintings by Umar Rashid and sculpture by Ann Green Kelly. Made in L.A. 2020: a version. Installation view at The Huntington Library, Art Museum, and Botanical Gardens, San Marino. Photo: Joshua White / JWPictures.com. https://www.californiaartreview.com/journal/beatrice-wood-the-alchemist-the-california-cult-artist-turning-mothballs-into-gold monthly 0.5 2020-12-16 https://images.squarespace-cdn.com/content/v1/5f83940f11fa8c5379dbbe38/1605843556820-MNSQOU8NUWJ7A6W1KUSE/Beatrice+Wood+Luster+Glaze+Chalice Journal - Beatrice Wood: the Alchemist & California-Cult Artist Turning Mothballs into Gold Photo: Beatrice Wood, Luster Chalice with 10 Handles, 1982, ceramic, 13”h x 7.5”dia, Permanent Collection: Beatrice Wood Center for the Arts / Happy Valley Foundation https://images.squarespace-cdn.com/content/v1/5f83940f11fa8c5379dbbe38/1605895112327-GU43XYVEXLUEPJ0HD2FG/Beatrice+Wood+Gold+Luster+Bowl+with+12+Gold+Luster+Figures+%281985%29 Journal - Beatrice Wood: the Alchemist & California-Cult Artist Turning Mothballs into Gold Beatrice Wood, Gold Luster Bowl with 12 Gold Luster Figures (1985), Permanent Collection: Beatrice Wood Center for the Arts / Happy Valley Foundation https://images.squarespace-cdn.com/content/v1/5f83940f11fa8c5379dbbe38/1605842314101-FFQJCC04CCNXUCU06389/Beatrice+Wood+with+fellow+Theosophist+Dora+van+Gelder+Kunz Journal - Beatrice Wood: the Alchemist & California-Cult Artist Turning Mothballs into Gold Beatrice Wood with fellow Theosophist Dora van Gelder Kunz, 1925, Courtesy of Beatrice Wood Center for the Arts / Happy Valley Foundation https://images.squarespace-cdn.com/content/v1/5f83940f11fa8c5379dbbe38/1605895627020-99VF3MBHJPU5RC01IF50/Beatrice+Wood+Theosophy+Luster+Glaze+Ceramics Journal - Beatrice Wood: the Alchemist & California-Cult Artist Turning Mothballs into Gold Beatrice Wood, Courtesy of Beatrice Wood Center for the Arts / Happy Valley Foundation https://images.squarespace-cdn.com/content/v1/5f83940f11fa8c5379dbbe38/1605843897573-3A2DLWZNBJEP8V503JY8/Annie+Besant+and+Jiddu+Krishnamurti Journal - Beatrice Wood: the Alchemist & California-Cult Artist Turning Mothballs into Gold Annie Besant and Jiddu Krishnamurti, Photo courtesy of Beatrice Wood Center for the Arts / Happy Valley Foundation https://images.squarespace-cdn.com/content/v1/5f83940f11fa8c5379dbbe38/1605843343637-4EQVADDKQGEFZF45CH5K/Thought+Form+of+Radiating+Affection+and+Grasping+Animal+Affection Journal - Beatrice Wood: the Alchemist & California-Cult Artist Turning Mothballs into Gold Thought Forms reflecting 11). “Radiating affection” and 13). “Grasping animal affection” as illustrated in Thought Forms published in 1901 https://images.squarespace-cdn.com/content/v1/5f83940f11fa8c5379dbbe38/1605843792426-6I7IP9JHK8JKREUZGAPC/Blue+Luster+Bottle+with+Three+Masks+Beatrice+Wood Journal - Beatrice Wood: the Alchemist & California-Cult Artist Turning Mothballs into Gold Beatrice Wood, Blue Luster Bottle with Three Masks, Permanent Collection: Beatrice Wood Center for the Arts / Happy Valley Foundation https://images.squarespace-cdn.com/content/v1/5f83940f11fa8c5379dbbe38/1605842793596-KKSQHD8DI7K307Y7ANOR/thought-forms+by+annie+besant+and+cw+leadbeater Journal - Beatrice Wood: the Alchemist & California-Cult Artist Turning Mothballs into Gold https://www.californiaartreview.com/journal/same-skin-for-everyone-nicola-l-in-the-made-in-la-biennial monthly 0.5 2020-12-16 https://images.squarespace-cdn.com/content/v1/5f83940f11fa8c5379dbbe38/1608072601993-UE6IB4ST99OAHTY36641/Nicola-L-Made-in-LA-Penetrables-1.jpg Journal - Same Skin for Everyone: Nicola L. in the ‘Made in L.A.’ Biennial Nicola L. Pénétrables. Made in L.A. 2020: a version. Installation view at The Huntington Library, Art Museum, and Botanical Gardens, San Marino. Photo: Joshua White / JWPictures.com. https://images.squarespace-cdn.com/content/v1/5f83940f11fa8c5379dbbe38/1608071958659-12MGFLHU2Q11U3PCM9CK/Nicola+L.jpg Journal - Same Skin for Everyone: Nicola L. in the ‘Made in L.A.’ Biennial Nicola L. La Chambre en Fourrure, 1969. Synthetic fur, aluminum. 120 x 192 x 156. Nicola L. Estate https://images.squarespace-cdn.com/content/v1/5f83940f11fa8c5379dbbe38/1608075231940-OUCAE3D1LT3PDA44JRD1/Nicola-L-estate-1.jpg Journal - Same Skin for Everyone: Nicola L. in the ‘Made in L.A.’ Biennial Nicola L. in Penetrable at the Chelsea Hotel, New York, 1991. Photo: Estate of the artist. https://images.squarespace-cdn.com/content/v1/5f83940f11fa8c5379dbbe38/1608072873439-ZG5T22G08QDONJ61DLRX/Nicola-L-Penetrables-2.jpg Journal - Same Skin for Everyone: Nicola L. in the ‘Made in L.A.’ Biennial Nicola L. Pénétrables. Made in L.A. 2020: a version. Installation view at The Huntington Library, Art Museum, and Botanical Gardens, San Marino. Photo: Joshua White / JWPictures.com. https://images.squarespace-cdn.com/content/v1/5f83940f11fa8c5379dbbe38/1608072159424-LGRC08WMWL7OQC7IL0R4/Nicola-L-La-chambre-en-fourrure.jpg Journal - Same Skin for Everyone: Nicola L. in the ‘Made in L.A.’ Biennial Nicola L. La Chambre en Fourrure, 1969. Made in L.A. 2020: a version. Installation view at Hammer Museum, Los Angeles. Photo: Joshua White / JWPictures.com. https://www.californiaartreview.com/journal/interview-with-artist-liz-hernndez-on-her-exhibition-talismn-at-part-2-gallery monthly 0.5 2021-01-06 https://images.squarespace-cdn.com/content/v1/5f83940f11fa8c5379dbbe38/1608329854396-YD6LLB7YXHZ0K0VHMOTQ/lizhern%C3%A1ndez_med_flowerinhand.jpg Journal - Interview with Artist Liz Hernández on her Exhibition, “Talismán,” at Part 2 Gallery Liz Hernández, “Reclamación (Reclamation)” Vinyl paint and clay on canvas. 40 x 32 inches. 2020 https://images.squarespace-cdn.com/content/v1/5f83940f11fa8c5379dbbe38/1608325677731-BPCG94GH23CSF4P3KZ3W/Liz+Hernandez_art_Studio_5.jpg Journal - Interview with Artist Liz Hernández on her Exhibition, “Talismán,” at Part 2 Gallery Artist Liz Hernández in her Oakland studio https://images.squarespace-cdn.com/content/v1/5f83940f11fa8c5379dbbe38/1608330545982-82VR28HLSE57UZ463G4N/liz+hernandez+authority.jpeg Journal - Interview with Artist Liz Hernández on her Exhibition, “Talismán,” at Part 2 Gallery Liz Hernández, “Autoridad (Authority).” Vinyl paint and clay on canvas. 40 x 32 inches. 2020 https://images.squarespace-cdn.com/content/v1/5f83940f11fa8c5379dbbe38/1608330710927-HKIDMDRYD42Y0L6OF713/lizhern%C3%A1ndez_med_flowerbund.jpg Journal - Interview with Artist Liz Hernández on her Exhibition, “Talismán,” at Part 2 Gallery Liz Hernández, “Pureza (Purity).” Vinyl paint and clay on canvas. 40 x 32 inches. 2020 https://images.squarespace-cdn.com/content/v1/5f83940f11fa8c5379dbbe38/1608331951505-CCH2M6KL1FREA05TZZJY/talism%C3%A1n_layout_people_4.jpg Journal - Interview with Artist Liz Hernández on her Exhibition, “Talismán,” at Part 2 Gallery Installation view of Talismán at Part 2 Gallery https://images.squarespace-cdn.com/content/v1/5f83940f11fa8c5379dbbe38/1608330075584-D6Q13GRSRFY5M6DXHPCO/lizhern%C3%A1ndez_bust1_talism%C3%A1n_9.jpg Journal - Interview with Artist Liz Hernández on her Exhibition, “Talismán,” at Part 2 Gallery Liz Hernández, “Ritual del día (Everyday Ritual)” Ceramic. 12 x 12 x 10 inches. 2020 https://images.squarespace-cdn.com/content/v1/5f83940f11fa8c5379dbbe38/1608330209304-LXDHEDRWMLGWJMSTNUU7/lizhern%C3%A1ndez_mirror_luzyprogreso.jpg Journal - Interview with Artist Liz Hernández on her Exhibition, “Talismán,” at Part 2 Gallery Liz Hernández & Ryan Whelan, “Luz y progreso en tu camino.” Acrylic mirror. 40.5 x 30.5 inches. 2020 https://images.squarespace-cdn.com/content/v1/5f83940f11fa8c5379dbbe38/1608330339377-LLKG9YVRPO0LI94YUS1H/lizhern%C3%A1ndez_shadowbox_liz.jpg Journal - Interview with Artist Liz Hernández on her Exhibition, “Talismán,” at Part 2 Gallery Liz Hernández, “Mis símbolos sagrados (My sacred symbols).” Aluminum on panel. 32.5 x 32.5 inches. 2020 https://www.californiaartreview.com/journal/luchita-hurtado-hans-ulrich-obrist-book-review monthly 0.5 2021-01-24 https://images.squarespace-cdn.com/content/v1/5f83940f11fa8c5379dbbe38/1609897137077-2T3KZJW5ENMMVKUJGO7R/Luchita+Hurtado Journal - Luchita Hurtado: A New Book by Hans Ulrich Obrist Offers a Glimpse into the Magical Life of the Artist Untitled c. 1940s. Crayon and ink on board. 36.2 x 17.2 cm / 14 1/4 x 6 3/4 in47.6 x 29.1 x 3.8 cm / 18 3/4 x 11 1/2 x 1 1/2 in (framed) Photo: Genevieve Hanson https://images.squarespace-cdn.com/content/v1/5f83940f11fa8c5379dbbe38/1609896060006-MSOO0TZFEDANAX6GTD4P/Lucita+Hurtado+self+portrait Journal - Luchita Hurtado: A New Book by Hans Ulrich Obrist Offers a Glimpse into the Magical Life of the Artist Untitled, 1971. Oil on paper. 77.5 x 64.8 cm / 30 1/2 x 25 1/2 in. Photo: Jeff McLane https://images.squarespace-cdn.com/content/v1/5f83940f11fa8c5379dbbe38/1609896193401-RTY9HLCF8F947TBWELA1/Luchita-Hurtado.jpg Journal - Luchita Hurtado: A New Book by Hans Ulrich Obrist Offers a Glimpse into the Magical Life of the Artist Luchita Hurtado and John Mullican, California, 1966. © The Estate of Luchita Hurtado. Courtesy The Estate of Luchita Hurtado and Hauser & Wirth. Photo: Lee Mullican https://images.squarespace-cdn.com/content/v1/5f83940f11fa8c5379dbbe38/1609895587649-P7GJUCRVZTEFIEV0OQTL/Luchita-Hurtado-Hauser-Wirth-book.jpg Journal - Luchita Hurtado: A New Book by Hans Ulrich Obrist Offers a Glimpse into the Magical Life of the Artist “I look at the moon like a fellow traveler.” Luchita Hurtado and Matt Mullican overlooking the Arizona landscape, 1961. © The Estate of Luchita Hurtado. Courtesy The Estate of Luchita Hurtado and Hauser & Wirth. Photo: Lee Mullican https://images.squarespace-cdn.com/content/v1/5f83940f11fa8c5379dbbe38/1609897285667-T358KUYMYVHBBFAKCYEG/Luchita-Hurtado-family-3.jpg Journal - Luchita Hurtado: A New Book by Hans Ulrich Obrist Offers a Glimpse into the Magical Life of the Artist Front to back: Luchita Hurtado, Wolfgang Paalen, Jacqueline Johnson, and Gordon Onslow Ford, Mitla, Mexico, 1949. © The Estate of Luchita Hurtado. CourtesyThe Estate of Luchita Hurtado and Hauser & Wirth. Photo: Lee Mullican https://images.squarespace-cdn.com/content/v1/5f83940f11fa8c5379dbbe38/1609897171764-JMKVHRLI86FA1U62HXV2/Luchita-Hurtado-artwork-Untitled-ca.1965.jpg Journal - Luchita Hurtado: A New Book by Hans Ulrich Obrist Offers a Glimpse into the Magical Life of the Artist Untitled c. 1965. Oil on paper48.3 x 61 cm / 19 x 24 in https://images.squarespace-cdn.com/content/v1/5f83940f11fa8c5379dbbe38/1609897230697-FUJT3ORKI2R4W4UDE951/Luchita+Hurtado..jpg Journal - Luchita Hurtado: A New Book by Hans Ulrich Obrist Offers a Glimpse into the Magical Life of the Artist Untitled c. 1950-1951. Crayon and ink on paper. 58.5 x 73.7 cm / 23 x 29 in75.1 x 90.4 x 5.2 cm / 29 5/8 x 35 5/8 x 2 in (framed) Photo: Genevieve Hanson https://images.squarespace-cdn.com/content/v1/5f83940f11fa8c5379dbbe38/1609896400076-TVL5W1UJ0V68VBORU4UH/Luchita-Hurtado-young.jpg Journal - Luchita Hurtado: A New Book by Hans Ulrich Obrist Offers a Glimpse into the Magical Life of the Artist Luchita Hurtado, Playa Najayo, Dominican Republic, 1940. © The Estate of Luchita Hurtado,Courtesy The Estate of Luchita Hurtado and Hauser & Wirth https://www.californiaartreview.com/journal/5-digital-art-events-to-attend-this-week-january-15 monthly 0.5 2021-01-14 https://images.squarespace-cdn.com/content/v1/5f83940f11fa8c5379dbbe38/1610504909593-GZAZDBGGT4M2YEGSKH4I/Muzae+Sesay Journal - 5 Digital Art Talks You Won’t Want to Miss This Week Muzae Sesay in his studio, 2019, courtesy of the artist https://www.californiaartreview.com/journal/alison-saar-of-aether-and-earthe-armory-benton-museum-of-art monthly 0.5 2021-02-04 https://images.squarespace-cdn.com/content/v1/5f83940f11fa8c5379dbbe38/1611782549238-LTO3UQ7DNSYU30LYTKYR/Alison-Saar-Equinox.jpg Journal - Alison Saar: of Aether and Earthe Equinox, 2012. Hand-sewn lithograph with collage on paper. 48 x 16 in. (121.9 x 40.6 cm). Pomona College Collection. Museum purchase with funds from the Carlton Seaver Fund. https://images.squarespace-cdn.com/content/v1/5f83940f11fa8c5379dbbe38/1611785618110-W2CV447N2LUZBP962750/Alison-Saar-of-Aether-and-Earthe-Installation-1.jpg Journal - Alison Saar: of Aether and Earthe Installation view of Alison Saar: Of Aether and Earthe at the Benton Museum of Art at Pomona College, Sep. 1, 2020 to May 16, 2021. This exhibition is co-organized with the Armory Center for the Arts. Photo courtesy of Fredrik Nilsen Studio. https://images.squarespace-cdn.com/content/v1/5f83940f11fa8c5379dbbe38/1611782411560-NW0Z8ZA987K20ZN3YGUF/Alison-Saar-Bitter-Crop-1.jpg Journal - Alison Saar: of Aether and Earthe Bitter Crop, 2018. Wood, steel, bronze, acrylic, tar. 18 x 28 x 8 in. (45.7 x71.1 x20.3 cm) Collection of Gary and Kathi Cypres. https://www.californiaartreview.com/journal/review-lorser-feitelsons-allegorical-confessions-1943-45-at-louis-stern-fine-arts monthly 0.5 2021-02-20 https://images.squarespace-cdn.com/content/v1/5f83940f11fa8c5379dbbe38/1613594992551-0NX5WIEG18EKCGE266BQ/Lorser+Feitelson+Paolo+and+Francesca%2C+1943+copy.jpg Journal - Review: Lorser Feitelson’s Allegorical Confessions, 1943-45 at Louis Stern Fine Arts Lorser Feitelson. Paolo and Francesca, 1943. Oil on canvas. 36 1/2 x 60 1/4inches; 92.7 x 153 centimeters. LSFA# 00356. ©The Feitelson / Lundeberg Art Foundation, courtesy Louis Stern Fine Arts. Photo: Gene Ogami https://images.squarespace-cdn.com/content/v1/5f83940f11fa8c5379dbbe38/1613592665181-2ZYV0KAVXGCI6KAH7L0R/Lorser+Feitelson+Allegory%2C+1945.jpg Journal - Review: Lorser Feitelson’s Allegorical Confessions, 1943-45 at Louis Stern Fine Arts Lorser Feitelson. Allegory, 1945. Oil on canvas. 24 x 30 inches; 61 x 76.2 centimeters. LSFA# 00059. ©The Feitelson / Lundeberg Art Foundation, courtesy Louis Stern Fine Arts. Photo: Gene Ogami https://images.squarespace-cdn.com/content/v1/5f83940f11fa8c5379dbbe38/1613593622280-FWO1845OFZQPKADHPVWR/Lorser+Feitelson+Nocturne%2C+1943+copy.jpg Journal - Review: Lorser Feitelson’s Allegorical Confessions, 1943-45 at Louis Stern Fine Arts Lorser Feitelson. Nocturne, 1943. Oil on canvas. 30 x 36 inches; 76.2 x 91.4 centimeters. LSFA# 00053. ©The Feitelson / Lundeberg Art Foundation, courtesy Louis Stern Fine Arts. Photo: Gene Ogami https://images.squarespace-cdn.com/content/v1/5f83940f11fa8c5379dbbe38/1613595243422-45DRQRYNKLWQ7MQNLKVP/Lorser+Feitelson+Leda%2C+1943+copy.jpg Journal - Review: Lorser Feitelson’s Allegorical Confessions, 1943-45 at Louis Stern Fine Arts Lorser Feitelson. Leda, 1943. Oil on canvas. 36 x 40 inches; 91.4 x 101.6 centimeters LSFA# 00055. ©The Feitelson / Lundeberg Art Foundation, courtesy Louis Stern Fine Arts. Photo: Gene Ogami https://images.squarespace-cdn.com/content/v1/5f83940f11fa8c5379dbbe38/1613594077740-ZMIBAJO0X6JX6D49AG18/Lorser+Feitelson+The+Leaf%2C+1944+copy.jpg Journal - Review: Lorser Feitelson’s Allegorical Confessions, 1943-45 at Louis Stern Fine Arts Lorser Feitelson. The Leaf, 1944. Oil on canvas 30 x 36 inches; 76.2 x 91.4 centimeters. LSFA# 00063. ©The Feitelson / Lundeberg Art Foundation, courtesy Louis Stern Fine Arts. Photo: Gene Ogami https://images.squarespace-cdn.com/content/v1/5f83940f11fa8c5379dbbe38/1613594795784-FUF7Y0QT44X1VEZ21CVE/Lorser+Feitelson+Beach+Nocturne%2C+1943+copy.jpg Journal - Review: Lorser Feitelson’s Allegorical Confessions, 1943-45 at Louis Stern Fine Arts Lorser Feitelson. Beach Nocturne, 1943. Oil on canvas. 30 x 36 inches; 76.2 x 91.4 centimeters. LSFA# 00052. ©The Feitelson / Lundeberg Art Foundation, courtesy Louis Stern Fine Arts. Photo: Gene Ogami https://images.squarespace-cdn.com/content/v1/5f83940f11fa8c5379dbbe38/1613593940356-S07KNVTLTNFJ26OJ64BU/Helen+Lundeberg.jpg Journal - Review: Lorser Feitelson’s Allegorical Confessions, 1943-45 at Louis Stern Fine Arts Helen Lundeberg holding a leaf on Mt. Baldy, taken in October of 1943. Photographer unknown. ©The Feitelson / Lundeberg Art Foundation. https://www.californiaartreview.com/journal/frida-kahlo-and-san-francisco-book-review monthly 0.5 2021-04-19 https://images.squarespace-cdn.com/content/v1/5f83940f11fa8c5379dbbe38/1615911364281-XUGN79BUTVMSFND9WHN0/Frida+Kahlo%2C+San+Francisco%2C+California+at+windowsill.jpg Journal - Book Review: Frida Kahlo and San Francisco Frida Kahlo, San Francisco, California (at windowsill) © Peter A. Juley & Son Collection, Smithsonian American Art Museum https://images.squarespace-cdn.com/content/v1/5f83940f11fa8c5379dbbe38/1615935750832-06XK8PFXOZ9YLF6D9IZK/Diego+Rivera+and+Frida+Kahlo%2C+San+Francisco%2C+California.jpg Journal - Book Review: Frida Kahlo and San Francisco Diego Rivera and Frida Kahlo, San Francisco, California.© Peter A. Juley & Son Collection, Smithsonian American Art Museum https://images.squarespace-cdn.com/content/v1/5f83940f11fa8c5379dbbe38/1615833981064-5JJZYQ5WQNAD3UVBQHMF/Frida+Kahlo%2C+Frieda+and+Diego+Rivera%2C+1931.jpg Journal - Book Review: Frida Kahlo and San Francisco Frida Kahlo, Frieda and Diego Rivera, 1931. Collection SFMOMA. Albert M. Bender Collection, gift of Albert M. Bender. © Banco de Mexico Diego Rivera & Frida Kahlo Museums Trust, Mexico, D.F. / Artists Rights Society (ARS), New York https://images.squarespace-cdn.com/content/v1/5f83940f11fa8c5379dbbe38/1615833946808-0NLE6LI4H2TV7U2B593M/Frida+Kahlo+and+San+Francisco Journal - Book Review: Frida Kahlo and San Francisco https://www.californiaartreview.com/journal/review-the-earth-is-not-neutral-desert-xs-land-art-brings-a-call-to-actionnbsp monthly 0.5 2022-11-14 https://images.squarespace-cdn.com/content/v1/5f83940f11fa8c5379dbbe38/1618762961478-KO7LOPZ5OBEGTCVCV8MV/DX+Serge+Clottey+4+Lance+Gerber.jpg Journal - Review: The Earth is Not Neutral, Desert X’s Land Art Brings a Call to Action Desert X installation view of Serge Attukwei Clottey, The Wishing Well. 2021. Photography by Lance Gerber. Courtesy the artist and Desert X. https://images.squarespace-cdn.com/content/v1/5f83940f11fa8c5379dbbe38/1618762811531-IJB1JXVQ2E08DEI67W18/DX+Serge+Clottey+1+Lance+Gerber.jpg Journal - Review: The Earth is Not Neutral, Desert X’s Land Art Brings a Call to Action Desert X installation view of Serge Attukwei Clottey, The Wishing Well. 2021. Photography by Lance Gerber. Courtesy the artist and Desert X. https://images.squarespace-cdn.com/content/v1/5f83940f11fa8c5379dbbe38/1618763197507-B6CUAH83HQ0OMSK4SY3S/DX+Nicholas+Galanin+12+Lance+Gerber.jpg Journal - Review: The Earth is Not Neutral, Desert X’s Land Art Brings a Call to Action Desert X installation view of Nicholas Galanin, Never Forget. 2021. Photography by Lance Gerber. Courtesy the artist and Desert X. LANDBACK GoFundMe. https://images.squarespace-cdn.com/content/v1/5f83940f11fa8c5379dbbe38/1618763329150-1XK22JU36TBB4TD6VWRU/DX+Zahrah+Alghamdi+5+Lance+Gerber.jpg Journal - Review: The Earth is Not Neutral, Desert X’s Land Art Brings a Call to Action Desert X installation view of Zahrah Alghamdi, What Lies Behind the Walls. 2021. Photography by Lance Gerber. Courtesy the artist and Desert X. https://images.squarespace-cdn.com/content/v1/5f83940f11fa8c5379dbbe38/1618762520132-UW7T11DF42UKU14WE4EC/DX+Nicholas+Galanin+7+Lance+Gerber.jpg Journal - Review: The Earth is Not Neutral, Desert X’s Land Art Brings a Call to Action Desert X installation view of Nicholas Galanin, Never Forget. 2021. Photography by Lance Gerber. Courtesy the artist and Desert X. LANDBACK GoFundMe. https://images.squarespace-cdn.com/content/v1/5f83940f11fa8c5379dbbe38/1618763520679-EJV18B1FDPM6AVSE920V/DX+Alicja+Kwade+11+Lance+Gerber.jpg Journal - Review: The Earth is Not Neutral, Desert X’s Land Art Brings a Call to Action Desert X installation view of Alicja Kwade, ParaPivot (sempiternal clouds). 2021. Photography by Lance Gerber. Courtesy the artist and Desert X. https://www.californiaartreview.com/journal/review-agnes-pelton-desert-transcendentalist-color-reigns-supreme-at-palm-springs-art-museum monthly 0.5 2021-05-06 https://images.squarespace-cdn.com/content/v1/5f83940f11fa8c5379dbbe38/1620335862576-QXUQN2LQFN3DMZY9JUJP/Agnes+Pelton+Future.jpg Journal - Review: For Agnes Pelton, Color Reigns Supreme at Palm Springs Art Museum Agnes Pelton, Future, 1941. Oil on canvas. Collection of Palm Springs Art Museum, 75th Anniversary gift of Gerald E. Buck in memory of Bente Buck, Best Friend and Life Companion. https://images.squarespace-cdn.com/content/v1/5f83940f11fa8c5379dbbe38/1620336778167-9UT9F8M9A682P7INZ9T6/Agnes+Pelton+Smoke+Tree.jpg Journal - Review: For Agnes Pelton, Color Reigns Supreme at Palm Springs Art Museum Agnes Pelton, Smoke Tree, ca. 1950, oil on canvas, 26 1/2 x 34 1/2 inches. Gift of Marjorie and Jim Treas, 15-2004 https://images.squarespace-cdn.com/content/v1/5f83940f11fa8c5379dbbe38/1620339011282-BOFIWB25EX00BFV46ZR3/Agnes+Pelton+Ray+Serene.jpg Journal - Review: For Agnes Pelton, Color Reigns Supreme at Palm Springs Art Museum Agnes Pelton, The Ray Serene, 1925. Oil on canvas.Collection of Lynda and Stewart Resnick. Photo: Jairo Ramirez https://images.squarespace-cdn.com/content/v1/5f83940f11fa8c5379dbbe38/1620335043806-UP6ALY94X7F58DA2EFIO/Agnes+Pelton+Departure.jpg Journal - Review: For Agnes Pelton, Color Reigns Supreme at Palm Springs Art Museum Agnes Pelton, Departure, 1952. Oil on canvas. Collection of Mike Stoller and Corky Hale Stoller. Photo: Paul Salveson https://images.squarespace-cdn.com/content/v1/5f83940f11fa8c5379dbbe38/1620335421183-2B9CTXP8OF5URP2Q22CF/F.+Orbits.jpg Journal - Review: For Agnes Pelton, Color Reigns Supreme at Palm Springs Art Museum Agnes Pelton, Orbits, 1934. Oil on canvas. Collection of Oakland Museum of California, Gift of Concoursd’Antiques, the Art Guild of the Oakland Museum of California https://images.squarespace-cdn.com/content/v1/5f83940f11fa8c5379dbbe38/1620337890323-KI4E5D2ADRXYKGPEXF13/Agnes+Pelton+Messengers.jpg Journal - Review: For Agnes Pelton, Color Reigns Supreme at Palm Springs Art Museum Agnes Pelton, Messengers, 1932. Oil on canvas. Collection of Phoenix Art Museum; Gift of The Melody S. Robidoux Foundation, 2014.39 https://images.squarespace-cdn.com/content/v1/5f83940f11fa8c5379dbbe38/1620337150836-9EUC4ZTAH5UDNMY5SHC6/Agnes+Pelton+Between+Storms.jpg Journal - Review: For Agnes Pelton, Color Reigns Supreme at Palm Springs Art Museum Agnes Pelton, Between Storms, Edom Hill, 1937, oil on canvas, 14 x 20 inches. Museum Purchase with funds provided by the General Acquisition Fund for Western Art, 2-1995 https://www.californiaartreview.com/journal/experiments-on-stone-tamarind-lithography-workshop-albers-asawa-nevelson-gego monthly 0.5 2021-05-19 https://images.squarespace-cdn.com/content/v1/5f83940f11fa8c5379dbbe38/1620931942051-K1V55R0AOQ86IHQUHY3J/Annie+Albers+Tamarind+Lithography+Workshop.jpg Journal - Review: Experiments on Stone - Four Women Artists From the Tamarind Lithography Workshop at Museum of Contemporary Art San Diego - Make it stand out Anni Albers. Enmeshed I, 1963. Color lithograph. 20 1/4 x 27 in. (51.4 x 68.6 cm). Collection of the Museum of Contemporary Art San Diego. Gift of Mr. and Mrs. Martin L. Gleich, San Diego, 1964.109. © 2021 Josef and Anni Albers Foundation/ Artists Rights Society (ARS), New York https://images.squarespace-cdn.com/content/v1/5f83940f11fa8c5379dbbe38/1620931371521-4F6T9WDBJAEC5Q5BZWRX/Albers_1970.34.jpg Journal - Review: Experiments on Stone - Four Women Artists From the Tamarind Lithography Workshop at Museum of Contemporary Art San Diego - Make it stand out Anni Albers. Line Involvement I from the Line Involvements Suite, 1964. Color lithograph. 19 3/4 x 14 1/2 in. (50.2 x 36.8 cm). Collection of the Museum of Contemporary Art San Diego. Gift of Mr. and Mrs. Martin L. Gleich, San Diego, 1970.34. © 2021 Josef and Anni Albers Foundation/ Artists Rights Society (ARS), New York https://images.squarespace-cdn.com/content/v1/5f83940f11fa8c5379dbbe38/1620932424613-OJ592N19TMZG0F7IGESP/1966+Gego+at+Tamarind+Lithography+Workshop.jpg Journal - Review: Experiments on Stone - Four Women Artists From the Tamarind Lithography Workshop at Museum of Contemporary Art San Diego - Make it stand out Gego at Tamarind Lithography Workshop. Los Angeles, 1966. Photographer unknown. Fundacion Gego Archives. © Fundación Gego https://images.squarespace-cdn.com/content/v1/5f83940f11fa8c5379dbbe38/1620931470257-UO38Z99RXMNZA0JVCKLZ/1966+Gego+with+master+printers+of+the+Tamarind.jpg Journal - Review: Experiments on Stone - Four Women Artists From the Tamarind Lithography Workshop at Museum of Contemporary Art San Diego - Make it stand out The artist Gego with master printers of the Tamarind, 1966. Photographer unknown. Fundacion Gego Archives. © Fundación Gego https://images.squarespace-cdn.com/content/v1/5f83940f11fa8c5379dbbe38/1620932702293-3KX8GER32ZADBPARKW33/Ruth+Asawa_1970.111.jpg Journal - Review: Experiments on Stone - Four Women Artists From the Tamarind Lithography Workshop at Museum of Contemporary Art San Diego - Make it stand out Ruth Asawa. Desert Plant (TAM.1460), 1965. Color lithograph. 18 1/2 × 18 1/2 in. (47 × 47 cm). Collection of the Museum of Contemporary Art San Diego. Gift of Mr. and Mrs. Martin L. Gleich, San Diego, 1970.111. © 2021 Estate of Ruth Asawa / Artists Rights Society (ARS), New York https://images.squarespace-cdn.com/content/v1/5f83940f11fa8c5379dbbe38/1620931744090-OTTNVP5YVE96O6Z0LIKA/1966+Gego+Tamarind+Lithography+Workshop.jpg Journal - Review: Experiments on Stone - Four Women Artists From the Tamarind Lithography Workshop at Museum of Contemporary Art San Diego - Make it stand out Gego. Untitled (TAM. 1845), 1966. Color lithograph. 22 1/4 x 22 1/8 in. (56.5 x 56.2 cm). Collection of the Museum of Contemporary Art San Diego. Gift of Mr. and Mrs. Martin L. Gleich, San Diego, 1970.163. © Fundación Gego https://www.californiaartreview.com/journal/shattered-glass-jeffrey-deitch-review monthly 0.5 2021-05-24 https://images.squarespace-cdn.com/content/v1/5f83940f11fa8c5379dbbe38/1621635671232-9SJ7CX3R1UMV06OIB5F2/Raelis+Vasquez+La+Mesa+Nuestra Journal - Review: Shattered Glass at Jeffrey Deitch Gallery - Make it stand out Raelis Vasquez. La Mesa Nuestra, 2021. Oil, acrylic and oil pastels on canvas, 60 x 84 inches. Shattered Glass, curated by Melahn Frierson and AJ Girard, Jeffrey Deitch, Los Angeles, 2021 Photo by Joshua White (@joshuawhitephotography / @white1977) https://images.squarespace-cdn.com/content/v1/5f83940f11fa8c5379dbbe38/1621635576559-QJJSHMHS7IW6XUCVOAIC/rafa+esparza+al+tempo+at+jeffrey+deitch Journal - Review: Shattered Glass at Jeffrey Deitch Gallery - Make it stand out rafa esparza. al Tempo, 2021. Acrylic on adobe 72 x 113.5 x 2 inches (diptych), 72 x 56.75 x 2 inches (each panel). Shattered Glass, curated by Melahn Frierson and AJ Girard, Jeffrey Deitch, Los Angeles, 2021 Photo by Joshua White (@joshuawhitephotography / @white1977) https://images.squarespace-cdn.com/content/v1/5f83940f11fa8c5379dbbe38/1621636014597-HG8LY4WXDSJJR8XT2G9K/Kezia+Harrell+Bliss+Americana+Hot+Mama Journal - Review: Shattered Glass at Jeffrey Deitch Gallery - Make it stand out Kezia Harrell. Bliss: Americana Hot Mamma, 2021. Oil on birch panel with stretched canvas. 72 x 120 inches. Shattered Glass, curated by Melahn Frierson and AJ Girard, Jeffrey Deitch, Los Angeles, 2021 Photo by Joshua White (@joshuawhitephotography / @white1977) https://images.squarespace-cdn.com/content/v1/5f83940f11fa8c5379dbbe38/1621635779007-1F19LPN7Y36FA9GKEEOT/Simphiwe+Ndzube+Sondela+Forever Journal - Review: Shattered Glass at Jeffrey Deitch Gallery - Make it stand out Installation view of Shattered Glass, curated by Melahn Frierson and AJ Girard, Jeffrey Deitch, Los Angeles, 2021 Photo by Joshua White (@joshuawhitephotography / @white1977) https://images.squarespace-cdn.com/content/v1/5f83940f11fa8c5379dbbe38/1621636981972-NU8PCWIB4DB0KU1TJWY8/Mr.+Wash Journal - Review: Shattered Glass at Jeffrey Deitch Gallery - Make it stand out Fulton Leroy Washington, (aka Mr. Wash) Targeted - Insurrection, 2021. Oil on canvas60 x 48 x 1.5 inches. Shattered Glass, curated by Melahn Frierson and AJ Girard, Jeffrey Deitch, Los Angeles, 2021 Photo by Joshua White (@joshuawhitephotography / @white1977) https://images.squarespace-cdn.com/content/v1/5f83940f11fa8c5379dbbe38/1621635851731-T6EN2L7O87RYRGYMVX5I/Jeffrey+Deitch+Shattered+Glass+Exhibition Journal - Review: Shattered Glass at Jeffrey Deitch Gallery - Make it stand out Installation view of Shattered Glass, curated by Melahn Frierson and AJ Girard, Jeffrey Deitch, Los Angeles, 2021. Photo by Joshua White (@joshuawhitephotography / @white1977) https://www.californiaartreview.com/journal/stormscape-manny-castro-uta-artist-space-ricky-amadour monthly 0.5 2021-06-21 https://images.squarespace-cdn.com/content/v1/5f83940f11fa8c5379dbbe38/1624308779012-MMD70VH285EWNQSUVUDV/Manny+Castro+Turbulence.jpg Journal - Review: Manny Castro’s Stormscape at UTA Artist Space - Make it stand out Manny Castro. Turbulence, 2021. Oil and acrylic on canvas. 72 x 60 inches. https://images.squarespace-cdn.com/content/v1/5f83940f11fa8c5379dbbe38/1624308433593-E54DDRC76JHBP8JZBS89/Manny+Castro+Even+if+you+cant+see+us Journal - Review: Manny Castro’s Stormscape at UTA Artist Space - Make it stand out Manny Castro. Even If You Can’t See Us, We Comin’, 2021. Oil and acrylic on canvas. 92 x 81 inches. https://www.californiaartreview.com/journal/felix-art-fair-2021-review monthly 0.5 2021-08-02 https://images.squarespace-cdn.com/content/v1/5f83940f11fa8c5379dbbe38/1627841871103-YM5WN9O23RQ6S5IWUM6V/Sharif-Farrag-Francois-Ghelaby.jpeg Journal - 5 Must-See Artists at Felix Art Fair in Los Angeles This Weekend - Make it stand out Sharif Farrag, Juggler Jug, 2021. Photo by Paul Salveson. Courtesy of the artist and François Ghebaly Gallery. https://images.squarespace-cdn.com/content/v1/5f83940f11fa8c5379dbbe38/1627842204189-KG408ZXANDS8GPDDOT0X/Fiona-Conner-chateau-shatto.jpeg Journal - 5 Must-See Artists at Felix Art Fair in Los Angeles This Weekend - Make it stand out Fiona Connor, Untitled (Broom), 2019. Bronze. 61.38 x 26 x 4.75 in / 155.9 x 66 x 12.1 cm. Courtesy of the artist and Chateau Shatto. https://images.squarespace-cdn.com/content/v1/5f83940f11fa8c5379dbbe38/1627847012645-YXUUVVASBBOP6H284JSY/IMG_6966.jpg Journal - 5 Must-See Artists at Felix Art Fair in Los Angeles This Weekend - Make it stand out Jessie Homer French. Baxter at the Studio. Courtesy the artist and Various Small Fires. https://images.squarespace-cdn.com/content/v1/5f83940f11fa8c5379dbbe38/1627920714682-RF63R4BAK4SKO64R1FIZ/SARA-ISSAKHARIAN-2021-0026.jpg Journal - 5 Must-See Artists at Felix Art Fair in Los Angeles This Weekend - Make it stand out Sara Issakharian⁣. Dreamers Dreaming Red Tones, 2021⁣. Acrylic, oil pigment, pastel on canvas⁣. 165.1×193 cm⁣ 65×76 in. Courtesy of the artist and Tanya Leighton. https://www.californiaartreview.com/journal/marisa-adesman-anat-ebgi monthly 0.5 2021-09-14 https://images.squarespace-cdn.com/content/v1/5f83940f11fa8c5379dbbe38/1631389439613-MYNM7FBKWGGQ6K5VYD2Y/Adesman_Opening+NIght%2C+2021_MA1018_kuehler.jpg Journal - Review: Marisa Adesman’s Forklore at Anat Ebgi - Make it stand out Marisa Adesman. Opening Night, 2021. Photo courtesy the artist and Anat Ebgi. Photos by Matthew Kroening. https://images.squarespace-cdn.com/content/v1/5f83940f11fa8c5379dbbe38/1631389624778-D32T6SK7NBVZ83TVV4FS/Adesman_That+Sinking+Feeling%2C+2021_MA1016.jpg Journal - Review: Marisa Adesman’s Forklore at Anat Ebgi - Make it stand out Marisa Adesman. That Sinking Feeling, 2021. Photo courtesy the artist and Anat Ebgi. Photos by Matthew Kroening. https://images.squarespace-cdn.com/content/v1/5f83940f11fa8c5379dbbe38/1631388963014-WEEJHRNYC712PCWEZCJ5/Adesman_Forklore%2C+2021_Anat+Ebgi_Installation+view+02.jpg Journal - Review: Marisa Adesman’s Forklore at Anat Ebgi - Make it stand out Photo courtesy the artist and Anat Ebgi. Photos by Matthew Kroening. https://www.californiaartreview.com/journal/review-its-much-louder-than-before-at-anat-ebgi monthly 0.5 2021-09-20 https://images.squarespace-cdn.com/content/v1/5f83940f11fa8c5379dbbe38/1632000109939-HGBRTWKKO5JPIGOGGOKW/Tenvik_Supernature%2C+2021_CT1001.jpg Journal - Review: It’s Much Louder Than Before at Anat Ebgi - Make it stand out Constance Tenvik, Supernature, 2021. Courtesy the artist and Anat Ebgi. Artwork image by Mason Kuehler. https://images.squarespace-cdn.com/content/v1/5f83940f11fa8c5379dbbe38/1632000277420-AKLNHSR823H4XE6NW6FK/Strzelecki_Pool+Party%2C+2021_SK1000.jpg Journal - Review: It’s Much Louder Than Before at Anat Ebgi - Make it stand out Krzysztof Strzelecki, Pool Party, 2021. Courtesy the artist and Anat Ebgi. Artwork image by Mason Kuehler. https://images.squarespace-cdn.com/content/v1/5f83940f11fa8c5379dbbe38/1632037696757-Q7PHGPYBKD19L4Y45YNN/Sharafaldin_Nicholas+in+the+Belvedere%2C+2021_SHS1000.jpg Journal - Review: It’s Much Louder Than Before at Anat Ebgi - Make it stand out Shahin Sharafaldin, Nicholas in the Belvedere, 2021. Courtesy the artist and Anat Ebgi. Artwork image by Mason Kuehler. https://images.squarespace-cdn.com/content/v1/5f83940f11fa8c5379dbbe38/1632038491115-LWE56N4QJPAWBS0PTFPG/Young_In+the+Heat+of+the+Night%2C+2021_APY1005.jpg Journal - Review: It’s Much Louder Than Before at Anat Ebgi - Make it stand out Anthony Peyton Young, In the Heat of the Night, 2021. Courtesy the artist and Anat Ebgi. Artwork image by Mason Kuehler. https://www.californiaartreview.com/journal/oren-pinhassi-thirst-trap-review-commonwealth-council monthly 0.5 2021-10-18 https://images.squarespace-cdn.com/content/v1/5f83940f11fa8c5379dbbe38/1634570525856-TTF0QVLCRN739LBLCXC4/Lovers-Oren-Pinhassi-Thirst-Trap-Commonwealth-Council.jpg Journal - Review: Oren Pinhassi’s Thirst Trap at Commonwealth and Council - Make it stand out Oren Pinhassi. lovers, 2021. Steel, sand, burlap, polymer, rock, pigeon spikes. Approx. 100 x 25.25 x 25.25 in (254 x 64 x 64 cm). Courtesy of the artist and Commonwealth and Council, Los Angeles. Photo: Paul Salveson. https://images.squarespace-cdn.com/content/v1/5f83940f11fa8c5379dbbe38/1634570203975-JTNU2G2NE8Z672VKBWZQ/Oren-Pinhassi-Caryatid-II-Thirst-Trap-Commonwealth-Council.jpg Journal - Review: Oren Pinhassi’s Thirst Trap at Commonwealth and Council - Make it stand out Oren Pinhassi. Caryatid II. Steel, sand, burlap, polymer, rock. Approx. 93 x 12.5 x 20 in (236 x 32 x 51 cm). Courtesy of the artist and Commonwealth and Council, Los Angeles. Photo: Paul Salveson. https://images.squarespace-cdn.com/content/v1/5f83940f11fa8c5379dbbe38/1634571396483-EMA5SKZC94D1SHMDUC3Y/Oren-Pinhassi-Caryatid-II.jpg Journal - Review: Oren Pinhassi’s Thirst Trap at Commonwealth and Council - Make it stand out Oren Pinhassi. Caryatid II. Steel, sand, burlap, polymer, rock. Approx. 93 x 12.5 x 20 in (236 x 32 x 51 cm). Courtesy of the artist and Commonwealth and Council, Los Angeles. Photo: Paul Salveson. https://images.squarespace-cdn.com/content/v1/5f83940f11fa8c5379dbbe38/1634569915997-BTW8MF5NV7X1U0ZFREBA/Oren-Pinhassi-Thirst-Trap-Commonwealth-Concil-Review-Untitled-2021.jpg Journal - Review: Oren Pinhassi’s Thirst Trap at Commonwealth and Council - Make it stand out Oren Pinhassi. Untitled, 2021. Steel, sand, burlap, polymer, rock, pigeon spikes. Approx. 93.5 x 10 x 19.25 in (237 x 25 x 49 cm). Courtesy of the artist and Commonwealth and Council, Los Angeles. Photo: Paul Salveson. https://www.californiaartreview.com/journal/interview-with-tara-walters-on-her-recent-exhibition-dropping-in-at-kristina-kite-gallery monthly 0.5 2022-02-15 https://images.squarespace-cdn.com/content/v1/5f83940f11fa8c5379dbbe38/945bb397-0704-45ac-bf7b-770f4a0ae7df/Tara-Walters-Kristina-Kite-Gallery-Los-Angeles.png Journal - Interview with Artist Tara Walters on Her Recent Exhibition, “Dropping In,” at Kristina Kite Gallery - Make it stand out Installation image of Dropping In. Courtesy of the artist and Kristina Kite Gallery. https://images.squarespace-cdn.com/content/v1/5f83940f11fa8c5379dbbe38/694176e6-8025-43cd-838d-d1e3ae5ca032/Tara-Walters-Barn+Cat-Interview.png Journal - Interview with Artist Tara Walters on Her Recent Exhibition, “Dropping In,” at Kristina Kite Gallery - Make it stand out Tara Walters. Barn Cat. Courtesy of the artist and Kristina Kite Gallery. https://images.squarespace-cdn.com/content/v1/5f83940f11fa8c5379dbbe38/d36e22ec-194a-4570-a6a2-24ba53b536a4/Tara-Walters-Kristina-Kite-Dropping-In-Interview.jpeg Journal - Interview with Artist Tara Walters on Her Recent Exhibition, “Dropping In,” at Kristina Kite Gallery - Make it stand out Installation image of Dropping In. Courtesy of the artist and Kristina Kite Gallery. https://images.squarespace-cdn.com/content/v1/5f83940f11fa8c5379dbbe38/f9e4be4f-eeb2-4b67-84d7-51c71476fe19/Interview-Tara-Walters-artist.jpeg Journal - Interview with Artist Tara Walters on Her Recent Exhibition, “Dropping In,” at Kristina Kite Gallery - Make it stand out Artist Tara Walters in her studio. Photo courtesy of the artist. https://www.californiaartreview.com/journal/continuity-of-discontinuity-francesco-clemente-at-the-old-santa-monica-post-office monthly 0.5 2021-12-01 https://images.squarespace-cdn.com/content/v1/5f83940f11fa8c5379dbbe38/f0f4c27e-acf1-4e87-8f4d-a14ef5461ed4/Francesco+Clemente_+5-14+2020.jpg Journal - Continuity of Discontinuity: Francesco Clemente at the Old Santa Monica Post Office - Make it stand out Francesco Clemente. 5-14 2020, 2020. Pigment on canvas. 93 x 78 inches (236.2 x 198.1 cm). © Francesco Clemente; Courtesy the artist and Vito Schnabel Gallery. https://images.squarespace-cdn.com/content/v1/5f83940f11fa8c5379dbbe38/d66c5535-3112-4065-81cf-8cf6195ac383/Francesco-Clemente-Santa-Monica-Post-Office.jpg Journal - Continuity of Discontinuity: Francesco Clemente at the Old Santa Monica Post Office - Make it stand out Installation view of Francesco Clemente, Twenty Years of Painting: 2001 – 2021 at the Old Santa Monica Post Office, November 5, 2021 – January 16, 2022. Artworks © Francesco Clemente; Photo by Elon Schoenholz https://images.squarespace-cdn.com/content/v1/5f83940f11fa8c5379dbbe38/a6b2bd08-bd0e-4f69-9f0c-1c57a1de3158/Francesco+Clemente_+5-11+2020.jpg Journal - Continuity of Discontinuity: Francesco Clemente at the Old Santa Monica Post Office - Make it stand out Francesco Clemente. 5-11 2020, 2020. Pigment on canvas. 93 x 78 inches (236.2 x 198.1 cm). © Francesco Clemente; Courtesy the artist and Vito Schnabel Gallery. https://images.squarespace-cdn.com/content/v1/5f83940f11fa8c5379dbbe38/979d6802-0aa5-496d-a66e-1a1dafd89651/Francesco+Clemente_Two+Trees.jpg Journal - Continuity of Discontinuity: Francesco Clemente at the Old Santa Monica Post Office - Make it stand out Francesco Clemente. Two Trees, 2001. Fresco. 118 x 236 inches (299.7 x 599.4 cm) © Francesco Clemente; Courtesy the artist and Vito Schnabel Gallery. https://images.squarespace-cdn.com/content/v1/5f83940f11fa8c5379dbbe38/19216a48-5103-41ef-b523-5afdfe692f6e/FC_Summer+Self+V.jpeg Journal - Continuity of Discontinuity: Francesco Clemente at the Old Santa Monica Post Office - Make it stand out Francesco Clemente. Summer Self V, 2011. Oil on canvas. 40 3/8 x 32 inches (102.5 x 81.3 cm) © Francesco Clemente; Courtesy the artist and Vito Schnabel Gallery. https://images.squarespace-cdn.com/content/v1/5f83940f11fa8c5379dbbe38/96e22c4a-f12b-404c-a37f-b4068617e412/Francesco+Clemente_Summer+Self+IV.jpg Journal - Continuity of Discontinuity: Francesco Clemente at the Old Santa Monica Post Office - Make it stand out Francesco Clemente. Summer Self IV, 2011. Oil on canvas. 41 3/4 x 31 1/2 inches (106 x 80 cm) © Francesco Clemente; Courtesy the artist and Vito Schnabel Gallery. https://www.californiaartreview.com/journal/sara-issakharian-interview-tanya-leighton monthly 0.5 2021-12-12 https://images.squarespace-cdn.com/content/v1/5f83940f11fa8c5379dbbe38/b3366d4b-e9d7-4f14-bbd7-907bef863ce9/Tanya-Leighton-Sara-Issakharian-Gallery-1.jpg Journal - Conversations on Art: Artist Sara Issakharian on Her Recent Exhibition at Tanya Leighton Gallery - Make it stand out Sara Issakharian. Installation view, ‘There is a whole life in that, in knowing that the sun is there’ Tanya Leighton, Los Angeles. 18 August – 16 September 2021. Photography: Dan FinlaysonCourtesy of the artist and Tanya Leighton, Berlin. https://images.squarespace-cdn.com/content/v1/5f83940f11fa8c5379dbbe38/ed9406dc-aee0-4e78-aba0-505c96071d16/%28ISSAKHARIAN-2021-0036%29_Homeward+Bound.jpg Journal - Conversations on Art: Artist Sara Issakharian on Her Recent Exhibition at Tanya Leighton Gallery - Make it stand out Sara Issakharian. Homeward Bound, 2021. Acrylic, pastel, charcoal on canvas. 200.6 × 281.9 cm 79×111 in. (ISSAKHARIAN-2021-0036). Courtesy of the artist and Tanya Leighton, Berlin. https://images.squarespace-cdn.com/content/v1/5f83940f11fa8c5379dbbe38/f60ca772-47f2-471c-8b78-f85c34157ed9/%28ISSAKHARIAN-2021-0035%29_Remembered+Landscape.jpg Journal - Conversations on Art: Artist Sara Issakharian on Her Recent Exhibition at Tanya Leighton Gallery - Make it stand out Sara Issakharian. Remembered Landscape, 2021. Acrylic, pastel, charcoal, and colour pencil on canvas. 193 x 335.2 cm 76x132 in. (ISSAKHARIAN-2021-0035). Courtesy of the artist and Tanya Leighton, Berlin. https://images.squarespace-cdn.com/content/v1/5f83940f11fa8c5379dbbe38/85a34ce9-c469-416d-8e1a-2d15825c42bf/%28ISSAKHARIAN-2021-0043%29_I%E2%80%99m+a+Hunter%2C+I+Hunt+for%E2%80%A6.jpg Journal - Conversations on Art: Artist Sara Issakharian on Her Recent Exhibition at Tanya Leighton Gallery - Make it stand out Sara Issakharian. I’m a Hunter, I Hunt for..., 2021. Acrylic, ink, colour pencil, and pastel on paper. 55.9×76.2 cm 22×30 in. (ISSAKHARIAN-2021-0043). Courtesy of the artist and Tanya Leighton, Berlin. https://www.californiaartreview.com/journal/claire-colette-harpers-gallery-los-angeles monthly 0.5 2022-01-09 https://images.squarespace-cdn.com/content/v1/5f83940f11fa8c5379dbbe38/edf92ee2-4e20-4f3a-8ff4-e2d37bcaa310/Claire-colette-fantastical-world.jpg Journal - Review of Claire Colette: Derealization at Harper’s Los Angeles - Make it stand out Claire Colette. Incantation: A Fantastical World Surrounds Me and Is Me 2021. Acrylic, ash, salt, rainwater, resin incense, flower essences, cedar, roses, lavender, and molding paste on canvas. 68 x 47 in. Photo: Joshua Schaedel. Courtesy Harper’s Gallery and the artist. https://images.squarespace-cdn.com/content/v1/5f83940f11fa8c5379dbbe38/c770e023-90f4-41d0-8023-fb659f1e231d/radiant-spring-claire-colette.jpg Journal - Review of Claire Colette: Derealization at Harper’s Los Angeles - Make it stand out Claire Colette. Radiant Spring, 2021. Acrylic, ash, salt, rainwater, resin incense, flower essences, cedar, roses, lavender, and molding paste on canvas. 56 x 46 in. Photo: Joshua Schaedel. Courtesy Harper’s Gallery and the artist. https://www.californiaartreview.com/journal/lia-halloran-conversations-on-art monthly 0.5 2022-02-08 https://images.squarespace-cdn.com/content/v1/5f83940f11fa8c5379dbbe38/5ca26367-aa7d-432f-a4b0-58305b2db558/mazGnomw.jpeg Journal - Conversations on Art: Lia Halloran - Make it stand out Lia Halloran. Bike Path, 2018/2019, Passage | Dark Skate, edition 1 of 3, c-print, 48 x 48 in. Image courtesy the artist and Luis De Jesus Los Angeles. https://images.squarespace-cdn.com/content/v1/5f83940f11fa8c5379dbbe38/68d5e939-d77b-4188-9dee-656dd0f67d55/cme8Mk0s.jpeg Journal - Conversations on Art: Lia Halloran - Make it stand out Lia Halloran. The Sun Burns My Eyes Like Moons (Positive), 2021, cyanotype on paper from painted negative, acrylic, and ink, 119 x 300 in. Image © Lia Halloran and courtesy Luis De Jesus Los Angeles. Photo by Paul Salveson. https://images.squarespace-cdn.com/content/v1/5f83940f11fa8c5379dbbe38/cd957e59-2d8d-478b-ae78-7b0ebc2264cd/Nza1KAXI.jpeg Journal - Conversations on Art: Lia Halloran - Make it stand out Lia Halloran. Bronson Canyon, 2014/2019, Passage | Dark Skate, edition 1 of 3, c-print, 32 x 84 in. Image courtesy the artist and Luis De Jesus Los Angeles. https://www.californiaartreview.com/journal/chloe-chiasson-banks-interview-uta-artist-space monthly 0.5 2022-11-09 https://images.squarespace-cdn.com/content/v1/5f83940f11fa8c5379dbbe38/1618b52a-c7c5-4ec4-94fc-b9e25a6424c8/UTA-2022-09-23_012.jpg Journal - An Interview with Chloe Chiasson and BANKS - Make it stand out Chloe Chiasson: Bird on a Wire, Installation view, UTA Artist Space, Beverly Hills. Photographed by Jeff McLane. Courtesy of UTA Artist Space. https://images.squarespace-cdn.com/content/v1/5f83940f11fa8c5379dbbe38/308fff58-891b-469e-8816-2038a4dfee35/UTA-2022-09-23_004.jpg Journal - An Interview with Chloe Chiasson and BANKS - Make it stand out Chloe Chiasson: Bird on a Wire, Installation view, UTA Artist Space, Beverly Hills. Photographed by Jeff McLane. Courtesy of UTA Artist Space. https://images.squarespace-cdn.com/content/v1/5f83940f11fa8c5379dbbe38/89bc5173-a4b8-4e64-8c47-8314e85e0f0b/UTA-2022-09-23_007.jpg Journal - An Interview with Chloe Chiasson and BANKS - Make it stand out Chloe Chiasson: Bird on a Wire, Installation view, UTA Artist Space, Beverly Hills. Photographed by Jeff McLane. Courtesy of UTA Artist Space. https://images.squarespace-cdn.com/content/v1/5f83940f11fa8c5379dbbe38/4af246d4-7d16-4acc-b86f-d5bdf3a60419/BANKS+-+Willow+-+1.jpg Journal - An Interview with Chloe Chiasson and BANKS - Make it stand out BANKS, Willow. Photo Credit: Jeff McLane. Courtesy of UTA Artist Space. https://www.californiaartreview.com/journal/tag/exhibition+review monthly 0.5 https://www.californiaartreview.com/journal/tag/Arensberg monthly 0.5 https://www.californiaartreview.com/journal/tag/Marcel+Duchamp monthly 0.5 https://www.californiaartreview.com/journal/tag/huntington+museum monthly 0.5 https://www.californiaartreview.com/journal/tag/Getty+Research+Institute monthly 0.5 https://www.californiaartreview.com/journal/tag/Artist+Talks monthly 0.5 https://www.californiaartreview.com/journal/tag/Louis+Stern+Fine+Arts monthly 0.5 https://www.californiaartreview.com/journal/tag/Oren+Pinhassi monthly 0.5 https://www.californiaartreview.com/journal/tag/Helen+Lundeberg monthly 0.5 https://www.californiaartreview.com/journal/tag/Ikechukwu+Onyewuenyi monthly 0.5 https://www.californiaartreview.com/journal/tag/Desert+X monthly 0.5 https://www.californiaartreview.com/journal/tag/Alicja+Kwade monthly 0.5 https://www.californiaartreview.com/journal/tag/Anat+Ebgi monthly 0.5 https://www.californiaartreview.com/journal/tag/Theosophy monthly 0.5 https://www.californiaartreview.com/journal/tag/Hans+Ulrich+Obrist monthly 0.5 https://www.californiaartreview.com/journal/tag/Frida+Kahlo+and+San+Francisco monthly 0.5 https://www.californiaartreview.com/journal/tag/Serge+Attukwei+Clottey monthly 0.5 https://www.californiaartreview.com/journal/tag/Muzae+Sesay monthly 0.5 https://www.californiaartreview.com/journal/tag/Sculpture monthly 0.5 https://www.californiaartreview.com/journal/tag/Diego+Rivera monthly 0.5 https://www.californiaartreview.com/journal/tag/California+artist monthly 0.5 https://www.californiaartreview.com/journal/tag/Modernism monthly 0.5 https://www.californiaartreview.com/journal/tag/Nicola+L monthly 0.5 https://www.californiaartreview.com/journal/tag/Coachella+Valley monthly 0.5 https://www.californiaartreview.com/journal/tag/Sara+Issakharian monthly 0.5 https://www.californiaartreview.com/journal/tag/Frida+Kahlo monthly 0.5 https://www.californiaartreview.com/journal/tag/Lithography monthly 0.5 https://www.californiaartreview.com/journal/tag/Chloe+Chiasson monthly 0.5 https://www.californiaartreview.com/journal/tag/Jean-Michel+Basquiat monthly 0.5 https://www.californiaartreview.com/journal/tag/Post+Surrealism monthly 0.5 https://www.californiaartreview.com/journal/tag/Agnes+Pelton monthly 0.5 https://www.californiaartreview.com/journal/tag/Tanya+Leighton monthly 0.5 https://www.californiaartreview.com/journal/tag/Women+Artists monthly 0.5 https://www.californiaartreview.com/journal/tag/Lorser+Feitelson monthly 0.5 https://www.californiaartreview.com/journal/tag/Jeffrey+Deitch monthly 0.5 https://www.californiaartreview.com/journal/tag/Surrealism monthly 0.5 https://www.californiaartreview.com/journal/tag/Conversations+on+Art monthly 0.5 https://www.californiaartreview.com/journal/tag/Hauser+%26+Wirth monthly 0.5 https://www.californiaartreview.com/journal/tag/Palm+Springs monthly 0.5 https://www.californiaartreview.com/journal/tag/Corita+Kent monthly 0.5 https://www.californiaartreview.com/journal/tag/Museum+of+Contemporary+Art+San+Diego monthly 0.5 https://www.californiaartreview.com/journal/tag/Pop+Art monthly 0.5 https://www.californiaartreview.com/journal/tag/patrick+jackson monthly 0.5 https://www.californiaartreview.com/journal/tag/Zahrah+Alghamdi monthly 0.5 https://www.californiaartreview.com/journal/tag/umar+rashid monthly 0.5 https://www.californiaartreview.com/journal/tag/Commonwealth+and+Council monthly 0.5 https://www.californiaartreview.com/journal/tag/hammer+museum monthly 0.5 https://www.californiaartreview.com/journal/tag/Contemporary+Art monthly 0.5 https://www.californiaartreview.com/journal/tag/Events monthly 0.5 https://www.californiaartreview.com/journal/tag/Marisa+Adesman monthly 0.5 https://www.californiaartreview.com/journal/tag/BANKS monthly 0.5 https://www.californiaartreview.com/journal/tag/Nicholas+Galanin monthly 0.5 https://www.californiaartreview.com/journal/tag/Jacqueline+Kiyomi+Gork monthly 0.5 https://www.californiaartreview.com/journal/tag/David+Park monthly 0.5 https://www.californiaartreview.com/journal/tag/Abstract+Classicism monthly 0.5 https://www.californiaartreview.com/journal/tag/Luchita+Hurtado monthly 0.5 https://www.californiaartreview.com/journal/tag/Xaviera+Simmons monthly 0.5 https://www.californiaartreview.com/journal/tag/Women+in+Art monthly 0.5 https://www.californiaartreview.com/journal/tag/Ceramics monthly 0.5 https://www.californiaartreview.com/journal/tag/kandis+williams monthly 0.5 https://www.californiaartreview.com/journal/tag/Palm+Springs+Art+Museum monthly 0.5 https://www.californiaartreview.com/journal/tag/Beatrice+Wood monthly 0.5 https://www.californiaartreview.com/journal/tag/Painting monthly 0.5 https://www.californiaartreview.com/journal/tag/Artist+Interview monthly 0.5 https://www.californiaartreview.com/journal/tag/Hard+Edge monthly 0.5 https://www.californiaartreview.com/journal/tag/Manny+Castro monthly 0.5 https://www.californiaartreview.com/journal/tag/Land+Art monthly 0.5 https://www.californiaartreview.com/journal/tag/UTA+artist+space monthly 0.5 https://www.californiaartreview.com/journal/tag/buck+ellison monthly 0.5 https://www.californiaartreview.com/journal/tag/Los+Angeles monthly 0.5 https://www.californiaartreview.com/journal/tag/Book+Review monthly 0.5 https://www.californiaartreview.com/journal/tag/Prints monthly 0.5 https://www.californiaartreview.com/journal/tag/deYoung+Museum monthly 0.5 https://www.californiaartreview.com/home daily 1.0 2022-01-26 https://www.californiaartreview.com/contact daily 0.75 2021-12-12 https://www.californiaartreview.com/about daily 0.75 2021-05-22 https://www.californiaartreview.com/submission-guidelines daily 0.75 2021-05-05